Moravia, with its undulating fields, velvety hills, and ever-changing textures, is a paradise for landscape photographers. This region in the southeastern part of the Czech Republic is often compared to Tuscany for its gentle slopes and rich agricultural patterns. Yet, Moravia has its own distinct character—more subtle, more mysterious, and ever-changing with the seasons.
For the past 17 years, I have explored these lands in all weather conditions, through every season, uncovering their beauty through the lens. Photographing Moravia requires more than just technical skill—it demands patience, an understanding of the land, and a deep respect for the farmers who cultivate these breathtaking fields. Each photograph is a dance between light, weather, and the mindful presence of the photographer.
Choosing the Right Gear
To fully capture the depth and textures of Moravian landscapes, I rely on a versatile range of lenses, from 35mm to 400mm.
- Wide-angle lenses (35-50mm) help convey the vastness of the hills, making them ideal for sweeping compositions that include sky and dramatic cloud formations.
- Medium telephoto lenses (85-200mm) are excellent for isolating sections of rolling terrain, emphasizing the rhythmic curves of the land.
- Super telephoto lenses (300-400mm) allow for extreme compression, creating abstract patterns from the hills and drawing attention to the interplay of shadow and light across the fields.
Drones also play an essential role in my photography. Aerial perspectives reveal the true structure of the land, with its natural waves and precisely plowed patterns forming an almost surreal mosaic. Fortunately, there are no restrictions on drone photography in Moravia, making it a fantastic tool for capturing unique angles and compositions.
The Importance of Weather
Understanding and controlling the shooting conditions is crucial for achieving the best results. Many photographers prefer the golden light of sunrise or sunset, but in Moravia, the clarity of the air is just as important as the quality of the light.
The most striking images are often taken on clear, sunny days with strong winds, even approaching hurricane levels. While such conditions may seem extreme, they provide the best clarity. Strong winds clear the atmosphere of moisture, dust, and pollution, removing the soft haze that can dull an image. On still days, distant hills may appear blurred due to atmospheric distortion, but when the wind is at its peak, the details become razor-sharp, revealing the finest textures in the fields.
This is why careful weather monitoring is essential. I use satellite imagery, wind forecasts, and real-time local weather updates to determine the best shooting days. Planning around the wind and air clarity often makes the difference between a good shot and an extraordinary one.
Mastering Backlight Photography
One of my favorite techniques in Moravia is shooting in backlight conditions. When the sun is positioned behind the landscape, it sculpts the terrain with rich shadows and highlights, emphasizing the curves and depth of the hills.
However, shooting directly into the sun presents challenges—lens flare, reduced contrast, and unwanted reflections. Even with the best lens hood, stray light can seep into the frame, softening the image. Over the years, I have developed a simple yet effective solution: a black umbrella.
By holding an ordinary black umbrella above the lens, I can block excess light from hitting the glass, preventing flare and preserving the deep contrast that gives the image its impact. This small trick, often overlooked, has saved many of my shots. I always carry an umbrella with me, not only as protection for my gear but as a vital tool for backlight control.
Respect for the Land
Moravia’s rolling fields are not just picturesque landscapes—they are the heart of local agriculture. These lands belong to farmers who have cultivated them for generations, and as photographers, it is our responsibility to respect their work.
Unlike in national parks, where nature is open to exploration, in Moravia, much of the land is private property. Walking directly into freshly plowed fields or trampling young crops is not only disrespectful but also damaging. Instead, I always stick to tractor paths and established trails, ensuring that my presence does not interfere with the land’s natural cycle.
This respect extends beyond physical presence. Whenever possible, I take the time to speak with local farmers, learning about their work and their perspective on the land. These conversations often deepen my appreciation for the landscapes I photograph and sometimes lead to unexpected opportunities, such as access to unique vantage points.
Final thoughts
Moravia is a land that rewards patience and careful observation. It is a place where light and shadow play endlessly across the hills, where the wind carves new textures into the fields, and where the landscape is constantly shifting in response to the seasons.Whether capturing the flowing curves from a distance with a telephoto lens, soaring above them with a drone, or carefully composing a backlit shot, the key is always the same—respect nature, read the light, and wait for the perfect moment when the land reveals its true magic.
